Saturday, 30 March 2013

COIL, 1979-2004

Coil started their career characterised as one of the best prospects in music experimentation back in the 80's, with the emergence of electronic music, moving the work of other pioneers in the 60s and 70s into a completely new path.

Coil finished their career, giving a completely new definition to what experimental music is - an artistic creation, which in the end, only 50% has to do with music (experimentation and improvisation). The rest 50% is philosophy, theology, poetry, literature, social/human sciences, painting, alchemy, psychedelic drugs and going deeper and deeper down the spiral of introspection.

Along with other people like Genesis P.Orridge, David Tibet and Steven Stapleton, they consisted the very core of the occult experimental music that started in the 70s in the UK.

Coil consisted of Johnn Balance, 1962-2004

 

and Peter 'Sleazy' Cristopherson, 1955-2010

 



The pure essence of Coil manifests in a statement of Johnn Balance in an interview:
 "I'm obsessed with the idea of turning base matter into gold, transmuting base materials, i.e. raw sound, into something else."

Nothing sounded like Coil, nothing will sound like Coil. With this post, I launch a series of album reviews on COIL, the band that contributed most in the change of electronic and especially industrial music in the 80s, into something completely new. A complete discography of COIL can be found in

http://www.brainwashed.com/coil/music/

Around 90 pages. The reason for it is basically that, especially during the later years, each song's performance was different than the previous one, not only in terms of music but of lyrics as well, with John Balance improvising on every gig and creating a fascinating realm of similarly sounding words into a psychedelic dreamscape. Bearing similarities to The Temple of The Psychic Youth, formulated By Genesis P.Orridge, Christopherson's collaborator in Psychic TV and the fathers of the industrial musical movement, Throbbing Gristle; "every message is valid only at the precise time that it occurs, nothing can be the same withing the Flow"

 Album reviews will be random in order. Why should they be otherwise for a band like this? COIL 1979-2004

I close this inaugural post with the COIL manifesto from the Trasparent album, when they were known as ZOS KIA, a rare AMAZING interview of Coil in a Dutch music show where John Balance describes the essence behind the band and the first performance of ZOS KIA in London. Enjoy!

The Price Of Existence Is Eternal Warfare

COIL is a hidden universal. A code. A key for which the WHOLE does not exist. Is NONEXISTENT, in silence and secrecy. A spell. A spiral. A serpents SHt round a female cycle. A whirlwind. A double helix. DNA. Electricity and elementals. Atonal noise, and brutal poetry. COIL is amorphous. Luminous and constant change. Inbuilt obSOLescence. Inbuilt Disobedience. A vehicle for obsessions. Dreamcycles in perpetual motion. We are cutthroats. Infantile. Immaculately Conceived. Dis-eased. The Virus is Khaos. The cure is Delirium.
COIL are Archangels of KHAOS. The price we pay for existence is eternal Warfare. There is a hidden coil of strength, dormant beneath the sediment of convention. Dreams lead us under the surface, over the edge, to the Delerium state. UNCHAINED. Past impositions and false universals. Reassembling into OUR order.
COIL. Who has the nerve to dream, create and kill, while the whole moves every part stands still. Our rationale is the irrationAL. Hallucination is the truth our graves are dug with. COIL is compulsion. URGE and construction. Dead letters fall from our shedding skins. Kabbala and KHAOS. Thanatos and Thelema. Archangels and Antichrists. Open and Close. Truth and Deliberation. Traps and Disorientation.
Coil exist between Here and Here. We are Janus Headed. Plural. Out of time. Out of place. Out of Spite. An antidote for when people become poisons.
COIL know how to destroy Angels. How to paralyse. Imagine the world in a bottle. We take the bottle, smash it, and open your throat with it. I warn you we are Murderous. We massacre the logical revolts. We know everything! We know one thing only. Absolute existence, absolute motion, absolute direction, absolute Truth. NOW, HERE, US.

Coil, 1983


Jhonn Balance interview, 1988 by AbyssMariner

 

Wednesday, 30 January 2013

Hocico - El Ăšltimo Minuto Antes De Que Tu Mundo Caiga, Out Of Line OUT 584

New album for the ultimate aggrotech band, Hocico, est. Distrito Federal 1994.



Need any more info? Hocico have already left their signature in electro-industrial/aggrotech with ALL bands of Mexico (or better say the Americas) trying to sound like them and posing the main stylistic opposition to the equivalent European style (:Wumpscut:, Suicide Commando, etc.). More trance-like and more aggressive than the more rigid and minimal European sound (which has more to share with industrial)

Hocico for 15+ years have been producing one masterpiece after another and their last album is WAY BETTER than their previous one, returning more to their roots

It is a Universal Musical Law that excellent bands keep 100% their initial character producing however more and more elaborate and perplexed soundscapes.

Hocico are bound by this law since 1994... Waiting to see them live (again...and again...and again...)




Sunday, 20 January 2013

Cannibal Corpse - Torture, Metal Blade Records 3984-15080-2

Cannibal Corpse need no special introduction cause they're probably the most famous anti-commercial band worlwide, with their releases being banned or regulated in many countries. Plus they're one of the oldest players around in the game; death metal/grindcore.

This review is gonna be short. After the release of Bloodthirst I've stopped keeping track of them cause they sounded repetitive (I am a big fan of their first releases, up to "The Gallery of Suicide"; after that they played good death metal, but no songs that will stand above the mean and remember them for ever...and nothing new in terms of syntheses...)

After ten years, I decided to have a listen to their latest release.



CD in the player, press play, and I listen to this



The first thing that hits me is a completely "dirty" bass riff in the vain of the legends Macabre (one of my favourite bands). Continuing listening to the track, is what I would expect of a band that has a 25+ experience and they evolve remaining 100% original; completely different feeling from the "flat" Bloodthirst, Gore Obsessed era...

I go to their website, check the band listing, the same...good news...And there, I listen to this



There 're no more words to be said. A 100% pure US Death Metal release by one of the most important bands that this genre has spawned...

Old-School Deathsters around the world, rejoice and enjoy


ps. I think I'll have a look at their previous releases as well, you never know...

Monday, 14 January 2013

Front Line Assembly - AirMech, Metropolis Records MET 831

Briefly, the story of AirMech is this (based on the cd booklet) AirMech is a free-online game by Carbon Games. The way these guys chose to support themselves is to offer the players the opportunity to purchase things inside the game; things which do not directly affect the gameplay (good for them).

The game director, James Green, is a fan of FLA (good for him and us) and during the creation of the game he came in contact with Bill Leeb asking if he would be interested in writing a soundtrack for the game.

Leeb accepted, and here is AirMech.




Of course, this album cannot be judged as a proper FLA release but as a soundtrack by FLA. From this point of view, the album gets what is expected; 10/10

In a few words, this is a much more ambient-like release, maintaining 100% the character of FLA. I repeat, 100% FLA character. I've seen some discussions criticizing them for having some dub-step parts in a couple of their songs. Is that so annoying? I don't like dubstep, but its the way you use these elements (check Burial for example...). And of course, in that case, the mixture is amazing. Get over it and "see" music globally.

AirMech is exactly what I would expect from a professional who is asked to make a soundtrack; it must not be overwhelming and attract the attention of the gamer more than the actual game! The balance kept is amazing.



Of course we will miss two things. The extreme industrial parts which were so prominent in the FLA history and especially in their previous release, Improvised Electronic Device, and of course, the amazing lyrics and vocals of Leeb. Unfortunately, we'll have to wait a bit more for a proper FLA release.

Indeed, would someone expect a different result from one of the bands that defined electro-industrial?

FLA have only one major negative. They do not tour Europe as often. And having the pleasure to see them live during the IED tour, I have a thing to see them every year...

Really, who can be bothered of losing if he listens to such a track?

Happy 2013!!!!

Better late than never...

Happy new year to everyone!!!!! 

And a song dedicated to those not here anymore, but always next to us


Wednesday, 14 November 2012

---Breaking News--- FLA AirMech release

The fathers of electro-industrial Frontline Assembly making music for a video game????

Really???

And you think that something has gone wrong???? Are they sold out??????

Well, listen and learn industrial noobs bitches... FLA the KINGS are BACK!!!

Review coming soon... :)