Wednesday, 9 May 2012

DEAD CAN DANCE WORLD TOUR!

No album review this time...


Dead Can Dance, with albums reaching No.1 of Top World Music Albums Charts, are reunited after 14 years and fans worldwide will have the chance to see Lisa Gerrard and Brendan Perry on stage once again!

Two of the best voices (for me, THE BEST) together again, and I hope they will perform again some of the ethereal/neoclassical genre defining masterpieces from "Spleen and Ideal" and "Within the Realm of a Dying Sun". Hurry up because half of the events in Europe are already sold out, almost 6 MONTHS earlier!!!!

My personal pick, the amazing (open air of course) Lycabetus Hill in Athens, which resembles an ancient Greek odeon; no better choice for a group like Dead Can Dance worldwide!!!See the rest of the places here

www.deadcandance.com


In today's struggling world, their lyrics are more timely than ever...

In times of great vexation
When one must choose between what’s right and wrong
Freedom, so they say,
Amounts to the choices you have made
Through all the arbitrary rationale concerning liberty
Freedom, I must say,
Exists within unconditioned minds

Reason has come of age

How can you be satisfied with things the way they are
When all that surrounds us now and so much more
Remains inside the keeper’s dark embrace? 
The insatiable thirst for power has made
Idols out of mortals, gods into clay
Soldiers into heroes, children into slaves
All damned
Desires
Their hopes betrayed

Who will suffer the laws
That say you can't decide your child’s education
Unless you pay the price? 


Who will suffer their laws? 
Who will suffer their minds? 
Who will suffer their words? 
Who will suffer their designs?
 
 



Dream, oh my dear..., and renounce temporal obligations
Dream, oh my dear..., it's the sleep from which you may not awaken... 

Saturday, 5 May 2012

Eyeless In Gaza - Pale Hands I Loved So Well, Uniton Records U004

Eyeless In Gaza are one of my favourite bands. Basically due to the extensive use of Arabic elements in their music mixed with electronic elements when electronic music start to emerge from the very first industrial movement. Here I gladly present "Pale Hands I Loved So Well", their 1982 album. Really, I cannot describe this. It is one of the most experimental works I have ever listened to. Just to give you an idea, in discogs, the poster has written

Genre:Classical, Electronic, Folk, World & Country, Rock
Style:New Wave, Classical, Free Improvisation

To these I add industrial, ambient and minimal...


It's not an album that you will just listen to and expect to get a positive or negative feeling. Probably one has to spend more time listening to the album than the time that it took the band to record it. A diamond, the brightness of which grows stronger and stronger in time...Recommended for all musicians especially. And keep in mind that this thing was recorded 30 years ago...


Wednesday, 2 May 2012

Lock Up - Necropolis Transparent, Nuclear Blast NB2740

The latest album of Lock Up, founded by the fathers of grindcore Shane Embury and the late Jesse Pintado. The lineup consists of other great musicians: Nick Barker who used to play in despicable bands deserving oblivion but soon he made the right choices, Tomas Lindberg (At The Gates and many more), Anton Reisenegger of the cult Chilean band Pentagram (now he plays at the thrashers Criminal) and guests Peter Tagtgren of Hypocrisy and Jeff Walker of Carcass.


The first album of Lock Up was a blast, the second not what I expected, and the third a nuclear bomb exploding in your cd player. Pure old school death/grind, which annihilates everything on its way and teaches lessons to new bands of what extreme music is. Deathsters/Grinders, rejoice...Long Live the Code