Do you like industrial? I mean, pure industrial, like in the Throbbing Gristle era. Perhaps, with some ambient twists? If the answer is yes, this is the album that will play in your LP/CD player for the next months (years).
The latest creation of Mr. Karmanik, founder of Cold Meat Industry, is an album completely out of time. It's the only album for many years that has given me the same feelings as the first time I listened to Throbbing Gristle. I adopt the term "Death Industrial", since it gives exactly the picture of this album. Unbelievable mixture of industrial/dark ambient/minimal which makes your blood chill from the first track. In fact, its beyond description.
If you are fans of Brighter Death Now, probably you already play this album endlessly for the last year. If not, hey guys, we're talking about an album that makes "Necrose Evangelicum" sound like as if it was made by a 15 year old bloke.
I think that the genre "Death Industrial" has finally found its absolute masterpiece, that which should be listened by everyone in experimental electronic stuff. Grab your studio headphones, nothing less, and rejoice.
Diamonds shine in the dark, especially if they are black.
This is a continuation of the blog I started a couple of years ago in myspace; a list of interesting imho albums. Various genres, various artists, some of them known, some unknown...all for music's sake. That's Right...MUSIC!
Saturday, 9 June 2012
Thursday, 7 June 2012
Napalm Death - Utilitarian, Century Media 9981651
I gladly present the new album of Napalm Death. 3 axioms:
i) There is no band more extreme than Napalm Death
ii) There is no band more extreme in its live performances than Napalm Death
iii) You cannot claim that you are a deathster/grinder if you don't acknowledge that Napalm Death is the most extreme band ever.
Now, let's continue with the very brief review. Utilitarian travels us back to the weird era of Napalm Death with many new elements in their sound. You will listen a couple of songs which resemble the attitude of "Time Waits For No Slave", the most outrageously extreme album EVER in the genre, but most of the songs have a more "experimental" attitude. Of course, it is still 100% pure grindcore.
Napalm Death are possibly the ONLY real activists in the "music industry". They never cared to release an album that will sell thousands of copies. They just play grindcore because
I) they created the genre
II) they like it
Therefore their albums cannot be treated as a typical musical creation since it is mostly an expression of political views. Napalm Death represent the opposing force in today's society.
Excellent album. Excellent lyrics. Excellent artwork.
In a society where your whole existence is equalised with a national insurance number and a bank account,
In a society where the lust for money makes wars, destroys generations and obliterates social structures,
In a society that works under the illusion of democracy, with fascist mass media controlling the future of whole nations,
In a world that is driven towards one government, one currency, one religion
the answer is to react by using the most precious weapon you have,
your brain
i) There is no band more extreme than Napalm Death
ii) There is no band more extreme in its live performances than Napalm Death
iii) You cannot claim that you are a deathster/grinder if you don't acknowledge that Napalm Death is the most extreme band ever.
Now, let's continue with the very brief review. Utilitarian travels us back to the weird era of Napalm Death with many new elements in their sound. You will listen a couple of songs which resemble the attitude of "Time Waits For No Slave", the most outrageously extreme album EVER in the genre, but most of the songs have a more "experimental" attitude. Of course, it is still 100% pure grindcore.
Napalm Death are possibly the ONLY real activists in the "music industry". They never cared to release an album that will sell thousands of copies. They just play grindcore because
I) they created the genre
II) they like it
Therefore their albums cannot be treated as a typical musical creation since it is mostly an expression of political views. Napalm Death represent the opposing force in today's society.
Excellent album. Excellent lyrics. Excellent artwork.
In a society where your whole existence is equalised with a national insurance number and a bank account,
In a society where the lust for money makes wars, destroys generations and obliterates social structures,
In a society that works under the illusion of democracy, with fascist mass media controlling the future of whole nations,
In a world that is driven towards one government, one currency, one religion
the answer is to react by using the most precious weapon you have,
your brain
Wednesday, 9 May 2012
DEAD CAN DANCE WORLD TOUR!
No album review this time...
Dead Can Dance, with albums reaching No.1 of Top World Music Albums Charts, are reunited after 14 years and fans worldwide will have the chance to see Lisa Gerrard and Brendan Perry on stage once again!
Two of the best voices (for me, THE BEST) together again, and I hope they will perform again some of the ethereal/neoclassical genre defining masterpieces from "Spleen and Ideal" and "Within the Realm of a Dying Sun". Hurry up because half of the events in Europe are already sold out, almost 6 MONTHS earlier!!!!
My personal pick, the amazing (open air of course) Lycabetus Hill in Athens, which resembles an ancient Greek odeon; no better choice for a group like Dead Can Dance worldwide!!!See the rest of the places here
www.deadcandance.com
In today's struggling world, their lyrics are more timely than ever...
Dream, oh my dear..., and renounce temporal obligations
Dream, oh my dear..., it's the sleep from which you may not awaken...
Dead Can Dance, with albums reaching No.1 of Top World Music Albums Charts, are reunited after 14 years and fans worldwide will have the chance to see Lisa Gerrard and Brendan Perry on stage once again!
Two of the best voices (for me, THE BEST) together again, and I hope they will perform again some of the ethereal/neoclassical genre defining masterpieces from "Spleen and Ideal" and "Within the Realm of a Dying Sun". Hurry up because half of the events in Europe are already sold out, almost 6 MONTHS earlier!!!!
My personal pick, the amazing (open air of course) Lycabetus Hill in Athens, which resembles an ancient Greek odeon; no better choice for a group like Dead Can Dance worldwide!!!See the rest of the places here
www.deadcandance.com
In today's struggling world, their lyrics are more timely than ever...
In times of great vexation When one must choose between what’s right and wrong Freedom, so they say, Amounts to the choices you have made Through all the arbitrary rationale concerning liberty Freedom, I must say, Exists within unconditioned minds Reason has come of age How can you be satisfied with things the way they are When all that surrounds us now and so much more Remains inside the keeper’s dark embrace? The insatiable thirst for power has made Idols out of mortals, gods into clay Soldiers into heroes, children into slaves All damned Desires Their hopes betrayed Who will suffer the laws That say you can't decide your child’s education Unless you pay the price? Who will suffer their laws? Who will suffer their minds? Who will suffer their words? Who will suffer their designs?
Dream, oh my dear..., and renounce temporal obligations
Dream, oh my dear..., it's the sleep from which you may not awaken...
Saturday, 5 May 2012
Eyeless In Gaza - Pale Hands I Loved So Well, Uniton Records U004
Eyeless In Gaza are one of my favourite bands. Basically due to the extensive use of Arabic elements in their music mixed with electronic elements when electronic music start to emerge from the very first industrial movement.
Here I gladly present "Pale Hands I Loved So Well", their 1982 album. Really, I cannot describe this. It is one of the most experimental works I have ever listened to. Just to give you an idea, in discogs, the poster has written
Genre:Classical, Electronic, Folk, World & Country, Rock
Style:New Wave, Classical, Free Improvisation
To these I add industrial, ambient and minimal...
It's not an album that you will just listen to and expect to get a positive or negative feeling. Probably one has to spend more time listening to the album than the time that it took the band to record it. A diamond, the brightness of which grows stronger and stronger in time...Recommended for all musicians especially. And keep in mind that this thing was recorded 30 years ago...
Genre:Classical, Electronic, Folk, World & Country, Rock
Style:New Wave, Classical, Free Improvisation
To these I add industrial, ambient and minimal...
It's not an album that you will just listen to and expect to get a positive or negative feeling. Probably one has to spend more time listening to the album than the time that it took the band to record it. A diamond, the brightness of which grows stronger and stronger in time...Recommended for all musicians especially. And keep in mind that this thing was recorded 30 years ago...
Wednesday, 2 May 2012
Lock Up - Necropolis Transparent, Nuclear Blast NB2740
The latest album of Lock Up, founded by the fathers of grindcore Shane Embury and the late Jesse Pintado. The lineup consists of other great musicians: Nick Barker who used to play in despicable bands deserving oblivion but soon he made the right choices, Tomas Lindberg (At The Gates and many more), Anton Reisenegger of the cult Chilean band Pentagram (now he plays at the thrashers Criminal) and guests Peter Tagtgren of Hypocrisy and Jeff Walker of Carcass.
The first album of Lock Up was a blast, the second not what I expected, and the third a nuclear bomb exploding in your cd player. Pure old school death/grind, which annihilates everything on its way and teaches lessons to new bands of what extreme music is. Deathsters/Grinders, rejoice...Long Live the Code
The first album of Lock Up was a blast, the second not what I expected, and the third a nuclear bomb exploding in your cd player. Pure old school death/grind, which annihilates everything on its way and teaches lessons to new bands of what extreme music is. Deathsters/Grinders, rejoice...Long Live the Code
Tuesday, 24 April 2012
Hijokaidan - Ferocity of Practical Life 12", Fourth Dimension Records FDTEN56
I like noise because is a pure form of art and 100% pure music experimentation. In my opinion is one of the most revolutionary forms of art against the modern way of living. The other very amazing thing is that either you love it or hate it, nothing in between.
Ferocity of Practical Life is a very nice EP from the Japanese noise pioneers Hijokaidan, with Masami Akita of Merzbow responsible for the drums.
Hi quality traditional Japanese noise. No other comments.
If you like noise, enjoy.
If not, don't even bother to press the play button. Just wait for my new post :-)
Hijokaidan - Ferocity of Practical Life side A by AbyssMariner
Ferocity of Practical Life is a very nice EP from the Japanese noise pioneers Hijokaidan, with Masami Akita of Merzbow responsible for the drums.
Hi quality traditional Japanese noise. No other comments.
If you like noise, enjoy.
If not, don't even bother to press the play button. Just wait for my new post :-)
Hijokaidan - Ferocity of Practical Life side A by AbyssMariner
Sunday, 15 April 2012
Snog - Third Mall From The Sun, Hymen Records ¥401
Snog are one of the very few bands that the Australian continent has raised, and by far one of the most experimental acts ever. Their music, although they started with pure industrial roots is spanning across I.D.M., Downtempo, Dance, 60's folk music, Electro, Trip Hop, Ambient and many many other genres I can't recall, blending them in a way that you wouldn't believe it can happen if you haven't heard something similar. And of course, there's nothing similar to Snog!
All these are combined with the notorious lyrics of David Thrussel (and his amazing vocals), which are filled with an extreme cynical and critical view of modern life, commercialism, capitalism and globalisation. I have never seen any other band writing lyrics which hit directly to the heart of today's problematic society, which is not all the things mentioned, but us who allowed this to happen. Cynicism is spread around every album, from song titles to artwork, with the best being the cover of their last album titled "The Last of the Great Romantics", showing a perfectly clean computer cluster room...Here however I will not present their latest creation, but one of their mid era masterpieces...
One cannot forget to always add their first hit which is an all-time masterpiece
All these are combined with the notorious lyrics of David Thrussel (and his amazing vocals), which are filled with an extreme cynical and critical view of modern life, commercialism, capitalism and globalisation. I have never seen any other band writing lyrics which hit directly to the heart of today's problematic society, which is not all the things mentioned, but us who allowed this to happen. Cynicism is spread around every album, from song titles to artwork, with the best being the cover of their last album titled "The Last of the Great Romantics", showing a perfectly clean computer cluster room...Here however I will not present their latest creation, but one of their mid era masterpieces...
You wake in the morning, but you're hard to find
A look in the mirror, what you've left behind
You go to your job, or you wander around
There's plenty of stuff, but nothing to be found
You're a late twentieth century
Postmodern refugee
A late twentieth century
Postmodern tragedy
A look in the mirror, what you've left behind
You go to your job, or you wander around
There's plenty of stuff, but nothing to be found
You're a late twentieth century
Postmodern refugee
A late twentieth century
Postmodern tragedy
One cannot forget to always add their first hit which is an all-time masterpiece
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